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THE
WILLOW AND SARA SERIES #1 |
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Rating: PG-13 Disclaimer: All of the materials borrowed from Buffy the Vampire Slayer and Angel belong to Joss Whedon and to the entities and companies associated with their creation. I have borrowed them for creative and entertainment purposes only. No compensation has been or ever shall be received for the writing below. No copyright infringement is intended. My Website: http://www.dragonwriter17.net/ Feedback: Yes, but only if it�s of the non-flamey variety: DragonWriter17@aol.com Distribution: Mystic Muse and my personal site above. (If you are interested in posting this on your site, please contact me first for permission.) Spoilers: All seven seasons of BtVS, but especially Seasons 6 and 7. Pairings: Willow/Kennedy, Willow/Other (Sara) Author�s Notes: (1) This story is in screenplay format, not in fiction format. It is the first of a series of screenplays intended to reunite Alyson Hannigan and Amber Benson in several spin-off TV movies that focus on the character of Willow. However, they feature a new character for Amber Benson: Sara. (2) Since the Willow and Sara Series is designed to be a true spin-off, it does employ only canon background material. Number of Chapters: 7 acts Complete: Yes Summary: Two years ago, Willow lost the love of her life to a stray bullet that was meant for someone else. She's recovered from her loss and even moved on to a new relationship. Then a chance encounter brings her face-to-face with a stranger who looks exactly like her dead girlfriend. What does she do? This is the situation in which Willow Rosenberg, best friend of Buffy, finds herself. It�s been a year since Sunnydale bit the dust, taking the Hellmouth with it. But the danger is far from over--as Willow discovers in her new life with a new job in a new city, all without her best friends Buffy and Xander conveniently nearby. A computer geek by day and a warrior witch by night, Willow leads the crusade against the local forces of darkness. Aiding Willow in her fight are Kennedy, her current girlfriend and now a bonafide Slayer; Andrew, a former member of the Evil Trio, now reformed; and Ruby, a psychic advisor whose gift of Sight is very real. The battle against evil isn�t the most difficult aspect of Willow�s life, however. The hardest part is deciding what to do about her budding friendship with (and growing attraction to) Sara, her beloved Tara�s look-alike. By the end of the movie, Willow will be forced to choose in a way she never expected. ACT ONE ACT TWO ACT THREE ACT FOUR |
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ACT TWO INT. ELLIE�S RESTAURANT - RESUME After a long moment, Sara is still standing and waiting on Willow to give her order, but Willow is still staring, frozen, speechless. Sara is dressed in casual clothes, jeans and a shirt, but over them is an official waitress apron with name tag. Her long blondish-brown hair is braided in the back.
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
COOK (O.S.)
SARA
WILLOW Sara looks around to make sure no one will overhear, then leans over and whispers in Willow�s ear.
SARA
WILLOW Willow closes her eyes and randomly drops her index finger on the menu.
WILLOW Willow makes a whining sound and gives Sara her best �please help me� look. Sara chuckles and smiles.
SARA
WILLOW
SARA Sara walks away toward the kitchen. Willow is in her booth, shaking and breathing hard, still shocked by what has occurred. INT. ELLIE�S RESTAURANT � DAY - LATER Willow is sitting before a very cluttered table full of half-eaten food items. It�s clear that Willow has extended her time in the restaurant by ordering as many additional menu items as possible, and of course, having ordered them, she felt obligated to eat them, so now she�s absolutely miserable. She has a coffee cup in front of her, which she�s staring into. Sara comes to the table with a coffee carafe in her hand.
SARA
WILLOW
SARA
WILLOW There is an awkward pause as the two women make eye contact, then Sara smiles and starts to back away.
SARA
WILLOW
SARA
WILLOW SARA I get off at seven. Sara smiles and lifts her eyebrows, clearly flirting. Then she backs away from Willow�s table, turns, and walks away. Willow smiles lightly as she watches Sara leave, then she picks up her ticket and smiles broadly. INT. WILLOW�S OFFICE - DAY Willow rushes into the office and goes immediately to her desk. Andrew is wondering about his lunch.
ANDREW Willow totally ignores Andrew and picks up her phone and dials a number.
ANDREW The phone rings on the other end, and Willow waits.
WILLOW
ANDREW
WILLOW Willow hears the phone being picked up and turns attention to the phone.
BUFFY (V.O.)
DAWN (V.O.)
BUFFY (V.O.)
WILLOW Willow hangs up and immediately starts another call. She quickly punches the numbers, listens to the phone ringing, then hears the phone picked up.
XANDER (V.O.)
WILLOW
XANDER (V.O.)
WILLOW
XANDER (V.O.)
WILLOW Andrew clears his throat to call attention to himself as if to say �you can tell me, hint, hint.� Willow looks his way, rolls her eyes, and turns away. Then she starts thinking and cuts her eyes back at him, considering telling him. INT. WILLOW�S OFFICE - SAME Willow is now sitting right next to Andrew, telling her story in a very animated fashion.
WILLOW
ANDREW
WILLOW
ANDREW
WILLOW
ANDREW
WILLOW INT. WILLOW�S HOUSE � THE BEDROOM - DAY Willow is getting ready to go see Sara, nervously trying on clothes and checking herself out in the full-length mirror. When she�s finished getting dressed, she goes to her chest of drawers where a jewelry box sits. She gets out some earrings and puts them on. She touches the doll�s eye crystal, then picks up the picture of Tara sitting behind it.
WILLOW The phone suddenly rings, scaring Willow. She quickly replaces the picture and then answers the phone. INTERCUT TELEPHONE CONVERSATION � WILLOW AND KENNEDY
WILLOW
KENNEDY Willow is very nervous, like she�s been nearly caught with her hand in the cookie jar; her voice is choppy and overly-cheery.
WILLOW
KENNEDY
WILLOW
KENNEDY
WILLOW
KENNEDY
WILLOW
KENNEDY
WILLOW
KENNEDY Kennedy chuckles. Willow echoes her chuckle with her own nervous and entirely too loud laughter. Then Kennedy sobers, and Willow follows suit.
KENNEDY
WILLOW
KENNEDY
WILLOW Willow hangs up. She lets out a deep breath and hugs the phone to her chest, looking very worried. EXT. ELLIE�S RESTAURANT - DAY Willow is outside the restaurant, pacing back and forth nervously, looking at her watch. It reads 7:15. Finally, Sara comes out of the restaurant. She takes off her apron and name tag and places them in a small backpack. Willow smiles broadly.
WILLOW
SARA
WILLOW
SARA WILLOW Who�s Chad?
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW EXT. ICE CREAM PARLOR � NIGHT Willow and Sara at a table on the sidewalk. They each have ice cream. They seem relaxed, already comfortable in each other�s presence.
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA Willow makes a slightly hurt face.
SARA
WILLOW
SARA
WILLOW Willow looks very stricken for a moment. Then she recovers and is apologetic.
WILLOW Again, Willow�s face falls, deep pain and sadness very evident.
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW Willow looks away. Sara does the same. They both fidget awkwardly until Sara breaks the silence.
SARA
WILLOW
SARA
WILLOW
SARA Once again there is an awkward silence. Sara and Willow just cast nervous glances at each other for a few moments.
SARA
WILLOW
SARA
WILLOW EXT. STREET OUTSIDE THE ICE CREAM PARLOR - NIGHT Willow and Sara leave the ice cream parlor and start walking to the Double-X. They talk on the way.
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW Sara tries to be convincingly strong, but it�s clear that she was hurt very deeply by this event.
SARA
WILLOW
SARA Sara starts walking again. Willow follows. They turn down another street. EXT. STREET NEAR THE DOUBLE-X BAR � NIGHT Willow and Sara walk in momentary silence. In the background, several men hang out beside a car. They are drinking beer. They watch Willow and Sara walk by. Willow and Sara don�t seem to notice. They turn another corner.
WILLOW
SARA Willow accepts this new fact, then goes deep into thought for a moment. Then she makes the connection.
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA EXT. THE DOUBLE-X BAR � NIGHT It is a small bar, tucked away at the end of a dead-end street. A few cars line the road. Music can be heard from inside. A large neon sign blinks above the door: �XX�. Sara opens the door and holds it for Willow. Willow enters and Sara follows. INT. THE DOUBLE-X BAR � NIGHT Willow is sitting at a table in the back of the bar. She is fidgeting a little. She looks around the place. There�s a bar plus tables and chairs, a jukebox, a couple of pool tables, and a dart machine. Lesbian paraphernalia is sprinkled here and there: female-female symbols, labrys, rainbow pride, artsy pictures of women, etc. Music is playing from the jukebox. There are a few other women around: one sits at the bar where Sara is now picking up their drinks, a couple dances together by the jukebox. Sara returns from the bar carrying two light beers. She sets one in front of Willow, then plops down in her chair and takes a good swig.
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW Sara suddenly pulls back in her seat, putting her left and right index fingers into the position of a cross in a warding-off gesture.
SARA
WILLOW
SARA
WILLOW
SARA
WILLOW EXT. THE DOUBLE-X BAR � NIGHT It�s a couple of hours later. Willow and Sara exit the bar. It�s dark, and they are going back up the dead-end street. When they turn the corner, they see the men that they had overlooked earlier in the evening. The men are still hanging out by that car and are still drinking beer. They watch Willow and Sara as the two women walk towards them. Right when they are about to pass by, the JERK walks around the car and steps in front of them, stopping them. The rest of the men stay on the other side of the car and watch with amusement.
JERK Sara puts herself between Willow and the Jerk.
SARA
JERK The Jerk leans toward Sara menacingly. Sara shrinks down and steps back and drops her head, as if scared. |
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